Past Exhibits at Yufuku Gallery

A to Z Index Akimoto Shigeru Barker Andrea Bradford Kelvin Chinese Antiques English Potters European Artists 1 European Artists 2 European Ceramics Feibleman Dorothy Fujii Kansuke Fujiwara Yoshiaki Hashimoto Seibin Hasu Yoshitaka Hayashi Kuniyoshi Hewitt Mark Ichino Masahiko Imada Yoko Indonesian Crafts Inuit Folk Art Ito Tamako Ito Yuji Jewelry Kani Kazuhiro Kawagishi Fujio Kimura Shigeyuki Komazawa Hiroshi Kondo Takahiro Kouno Satoshi Koyama Fujio Kurono Joji Mackay Ivar Madame Coullery Masu Taka Matsuo Shimpei Mihara Ken Mino Artists Mino Hananoki Miura Setsuko Mitani Ryuji Mochimaru Fusako Mori Ichizou Muda Tomohiro Murakami Kiyoshi Nagasawa Setsuko Nagae Shigekazu Nakayama Yasuo Nishi Daiyu Nishi Yuzo Nishiyama Hideki Nomura Junji Nonaka Nobuyoshi Ohkouchi Hisako Oiwake Megumi Oki Koshi Okura Tatsuo Omichi Masao Onishi Nagatoshi Ono Jiro Sakurai Yasuko Sato Senro Shimizu Hisanobu Siesbye Alev Spira Rupert Suzuki Genta Suzuki Hideaki Suzuki Mutsumi Tabata Shion Takehiro Taisuke Tanaka Shigeo Terauchi Shinji Terui Ichigen Textiles of SE Asia Tsubo (Jars) Uchida Koichi Unokawa Kazumasa Venetian Glass Watanabe Yasumasa Winter Vessels Wu Weishan Yamada Emu Yamamoto Hiroko Yamanoi Kyoko Yamashiro Tateshi Yamashita Tamae Yede Takahiro Yoshida Akira Yoshimura Toshimi Yoshita Yukio Yellin Robert

To learn more, or to make inquiries for purchasing art by these artists, please contact us by email. Please include the name of the artist you are interested in.

Feb. 3 to 27, 2005

Possibilities in Form
The Nagae Shigekazu Porcelain Art Exhibition

 
  Exhibition Flyer

 Nagae Shigekazu

Nagae Shigekazu (1958 - ) has not exhibited new works for the past five years. This exhibition thus marks the return of the artist to the exhibition scene. Nagae received the Grand Prix at the Triennal de la Porcelain, Nyon, in 1998, for his white porcelain work. Since then, he has experimented with multiple colors and shapes in his ceramic. Even so, for the Yufuku Exhibition, Nagae says he has focused on the dual elements of deduction and omission. The forms were curved and shaped to their utmost limits, the bases of the pieces were shorn, and colors were discarded in favor of the serenity of pure white. As a result, the artist has succeeded in depicting an almost organic movement within his porcelain. For more on this artist, please click here (outside link to our sister site).